Professor Thorslev devotes the first part of his discussion to the cultural origins and “family relationships” of a range of pre-Romantic and Romantic hero … A Byronic hero is on his own side and has his own set of beliefs which he will not bow nor change for anyone. In the same way, he allows himself to be lead by his desire for Céline Varens, despite its immorality. This study of the origins and development of the Romantic hero through its apogee in the works of Byron critically examines the major Romantic heroes of comparative literature and places them in the wider perspective of history. An example of the Byronic hero, Rochester is a passionate man, guided more by emotions than by reason. Developed by 19th-century poet Lord Byron, this type of character rejects social norms and exists as a form of antihero, or a protagonist lacking conventional heroic qualities.
The Byronic hero is characterized as being arrogant, violent, reckless, seductive, traumatized and self-serving. For instance, when he first met Bertha Mason, his immediate attraction to her lavish qualities resulted in their tragic marriage.
Some are portrayed with a suggestion of dark crimes or tragedies in their past. The Byronic Hero was first published in 1962. The archetype, or character type, of the Byronic hero was first developed by the famous 19th-century English Romantic poet Lord Byron. A Byronic hero is a character whose internal conflicts are heavily romanticized and who himself ponders and wrestles with his struggles and beliefs.